It wasn’t really a possibility to orchestrate everything. So the songs definitely evolved and changed in a way they took on their own life.
But I think that knowing the endpoint doesn’t necessarily mean you know what journey you’re going to take. There was definitely a structure and a pretty strong sort of… endpoint. In that process, did the songs develop in a way that you weren’t expecting? So, it was kind of an entirely different process. This was one we kind of worked on live as well, and let ourselves fully evolve it and let it take shape. And I guess it follows on with some of the heavier stuff we’ve done previously. This one’s come together over a longer time. We had written most of this record before we recorded. What was your headspace while you were recording Nonagon Infinity? It’s quite a shift from the more languid records you’ve done lately, like Paper Mâché Dream Balloon and Quarters.ĭefinitely. We spoke to frontman Stu MacKenzie about this ambitious record, timelessness, and evolution. The album is designed to be played on a continuous loop, challenging what our conceptions of beginning and end even mean. With Nonagon, the group sought to create the world’s “first infinitely-looping album.” Its songs swell into and through one another from start to finish. Take, for example, Nonagon Infinity, the latest effort from the prolific Australian cohort King Gizzard & the Lizard Wizard, which is an album that reaches for eternity. Infinity can be a terrifying thing to consider, but it also contains possibility. Pre-order buy pre-order buy you own this wishlist in wishlist go to album go to track go to album go to track
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